by David L. Witt | Oct 23, 2020 | Curator's Notes
Patrociño Barela photo by Robert Beadles. Seton photo by unknown photographer. During my career, I have written biographies of two artists: Ernest Thompson Seton (1860-1946) and Patrociño Barela (ca. 1900-1964). They likely never met (or at least no supporting record...
by David L. Witt | Oct 21, 2020 | Endangered
#78, clear acrylic on clear acrylic panel, 6 x 6” (I envisioned Endangered as an exhibition about our disconnection from nature and the inevitable tragic outcome, a continuation of Seton’s warnings. The invited artists created a variety of responses. Intended for the...
by David L. Witt | Oct 20, 2020 | Endangered, Gallery
Warning Call of the Crows, Watercolor and graphite, 2020 (I envisioned Endangered as an exhibition about our disconnection from nature and the inevitable tragic outcome, a continuation of Seton’s warnings. The invited artists created a variety of responses. Intended...
by David L. Witt | Oct 7, 2020 | Endangered
Portrait of the Writer out in Nature (I envisioned Endangered as an exhibition about our disconnection from nature and the inevitable tragic outcome, a continuation of Seton’s warnings. The invited artists created a variety of responses. Intended for the walls of the...
by David L. Witt | Oct 5, 2020 | Endangered
Thin Blue Line, graphite, watercolor, and specialized pigments, and natural indigo by The Pigment Hunter, 2020 (84 x 48”) (I envisioned Endangered as an exhibition about our disconnection from nature and the inevitable tragic outcome, a continuation of Seton’s...
