by David L. Witt | Nov 5, 2019 | Gallery, Seton Artwork
Seton’s drawings of big cats can come across not as generic “lion” or “tiger” but as actual portraits of individuals. Some of these were done at the London Zoo during his first trip abroad. One of Seton’s animal subjects, “Landseer’s Lion” was named for the English...
by David L. Witt | Nov 4, 2019 | Gallery, Seton Artwork
Included in the Academy’s collection of Seton art are depictions of cats, from lions to the household variety. Seton began his major work of natural history, Lives of Game Animals (1925) with cats. He was particularly struck by the physical similarity of cats within a...
by David L. Witt | Oct 30, 2019 | Curator's Notes, Exhibitions
I am seeking artists to take part in an exhibition slated for August 2020. Read on to learn about the organizing concepts behind “Endangered.” Before the Land Ethic Decades before Rachel Carson’s Silent Spring or Aldo Leopold’s “land ethic,” Seton, through his art and...
by David L. Witt | Oct 26, 2019 | Gallery, Seton Artwork
While Seton worked in different art mediums, drawings in ink or pencil were the most frequent in a wide variety of subject matter. Visitors to the Academy’s Seton Gallery often comment on several unusual chairs which are both on display and still in use. They...
by David L. Witt | Oct 21, 2019 | Seton Essays
Seton’s early science writings are less known than his wildlife stories but demonstrated important insights. Roger Tory Peterson Writing in 1941 in the Preface of A Field Guide to the Western Birds, Roger Tory Peterson gave credit to Seton’s influential work: “It was...
