#78, clear acrylic on clear acrylic panel, 6 x 6” (I envisioned Endangered as an exhibition about our disconnection from nature and the inevitable tragic outcome, a continuation of Seton’s warnings. The invited artists created a variety of responses. Intended for the...
Warning Call of the Crows, Watercolor and graphite, 2020 (I envisioned Endangered as an exhibition about our disconnection from nature and the inevitable tragic outcome, a continuation of Seton’s warnings. The invited artists created a variety of responses. Intended...
Portrait of the Writer out in Nature (I envisioned Endangered as an exhibition about our disconnection from nature and the inevitable tragic outcome, a continuation of Seton’s warnings. The invited artists created a variety of responses. Intended for the walls of the...
Thin Blue Line, graphite, watercolor, and specialized pigments, and natural indigo by The Pigment Hunter, 2020 (84 x 48”) (I envisioned Endangered as an exhibition about our disconnection from nature and the inevitable tragic outcome, a continuation of Seton’s...
Endangered, Tin & mirror, 2020 (with detail below) (I envisioned Endangered as an exhibition about our disconnection from nature and the inevitable tragic outcome, a continuation of Seton’s warnings. The invited artists created a variety of responses. Intended for...
Hold Your Baby, Monotype prints, 2018 (I envisioned Endangered as an exhibition about our disconnection from nature and the inevitable tragic outcome, a continuation of Seton’s warnings. The invited artists created a variety of responses. Intended for the walls of the...
