by David L. Witt | Oct 21, 2020 | Endangered
#78, clear acrylic on clear acrylic panel, 6 x 6” (I envisioned Endangered as an exhibition about our disconnection from nature and the inevitable tragic outcome, a continuation of Seton’s warnings. The invited artists created a variety of responses. Intended for the...
by David L. Witt | Oct 20, 2020 | Endangered, Gallery
Warning Call of the Crows, Watercolor and graphite, 2020 (I envisioned Endangered as an exhibition about our disconnection from nature and the inevitable tragic outcome, a continuation of Seton’s warnings. The invited artists created a variety of responses. Intended...
by David L. Witt | Oct 7, 2020 | Endangered
Portrait of the Writer out in Nature (I envisioned Endangered as an exhibition about our disconnection from nature and the inevitable tragic outcome, a continuation of Seton’s warnings. The invited artists created a variety of responses. Intended for the walls of the...
by David L. Witt | Oct 5, 2020 | Endangered
Thin Blue Line, graphite, watercolor, and specialized pigments, and natural indigo by The Pigment Hunter, 2020 (84 x 48”) (I envisioned Endangered as an exhibition about our disconnection from nature and the inevitable tragic outcome, a continuation of Seton’s...
by David L. Witt | Sep 24, 2020 | Endangered
Endangered, Tin & mirror, 2020 (with detail below) (I envisioned Endangered as an exhibition about our disconnection from nature and the inevitable tragic outcome, a continuation of Seton’s warnings. The invited artists created a variety of responses. Intended for...
by David L. Witt | Sep 17, 2020 | Endangered
Hold Your Baby, Monotype prints, 2018 (I envisioned Endangered as an exhibition about our disconnection from nature and the inevitable tragic outcome, a continuation of Seton’s warnings. The invited artists created a variety of responses. Intended for the walls of the...
