by David L. Witt | Oct 7, 2020 | Endangered
Portrait of the Writer out in Nature (I envisioned Endangered as an exhibition about our disconnection from nature and the inevitable tragic outcome, a continuation of Seton’s warnings. The invited artists created a variety of responses. Intended for the walls of the...
by David L. Witt | Oct 5, 2020 | Endangered
Thin Blue Line, graphite, watercolor, and specialized pigments, and natural indigo by The Pigment Hunter, 2020 (84 x 48”) (I envisioned Endangered as an exhibition about our disconnection from nature and the inevitable tragic outcome, a continuation of Seton’s...
by David L. Witt | Sep 24, 2020 | Endangered
Endangered, Tin & mirror, 2020 (with detail below) (I envisioned Endangered as an exhibition about our disconnection from nature and the inevitable tragic outcome, a continuation of Seton’s warnings. The invited artists created a variety of responses. Intended for...
by David L. Witt | Sep 17, 2020 | Endangered
Hold Your Baby, Monotype prints, 2018 (I envisioned Endangered as an exhibition about our disconnection from nature and the inevitable tragic outcome, a continuation of Seton’s warnings. The invited artists created a variety of responses. Intended for the walls of the...
by David L. Witt | Sep 14, 2020 | Endangered
Trees and swift water, the best thing on earth, Diptych, oil, 2019, each 36 x 36” (I envisioned Endangered as an exhibition about our disconnection from nature and the inevitable tragic outcome, a continuation of Seton’s warnings. The invited artists created a...
