Hold Your Baby, Monotype prints, 2018 (I envisioned Endangered as an exhibition about our disconnection from nature and the inevitable tragic outcome, a continuation of Seton’s warnings. The invited artists created a variety of responses. Intended for the walls of the...
Trees and swift water, the best thing on earth, Diptych, oil, 2019, each 36 x 36” (I envisioned Endangered as an exhibition about our disconnection from nature and the inevitable tragic outcome, a continuation of Seton’s warnings. The invited artists created a...
Interrupted Ecosystem: Pollinators and Prairies, Charcoal, graphite, ash, & dirt on paper, 2019 (48 x 60”) (I envisioned Endangered as an exhibition about our disconnection from nature and the inevitable tragic outcome, a continuation of Seton’s warnings. The...
Greetings from California, Display rack with postcards, 2020 (I envisioned Endangered as an exhibition about our disconnection from nature and the inevitable tragic outcome, a continuation of Seton’s warnings. The invited artists created a variety of responses....
“Deforestation” 9” x 12” Acrylic on panel This piece represents how the need to modernize is endangering the Rain Forests. (Kai Nakamura is a student at the University of New Mexico.) (I envisioned Endangered as an exhibition about our disconnection from nature and...
(I envisioned Endangered as an exhibition about our disconnection from nature and the inevitable tragic outcome, a continuation of Seton’s warnings. The invited artists created a variety of responses. Intended for the walls of the Seton Gallery, the show is presented...
